FREE POEMS: THE PUMPKIN SAPLING

Sunday, September 27, 2009

THE PUMPKIN SAPLING

My proud Pop's a pumpkin plant

I'm his heir - a sunny sapling:

A pretty plant, never unlagging

With many a strong switched hand.

Above me hung a big bumb pump

Of which my Pop was proud

Ever likely to be dropped

Planning to make on me a bad hump.

My friend was a pretty plant pansy

full of zoomed blue stars;

My fate merely to be with warts

And I was eaten up with envy.

Slowly, slowly I crept and crept

Though many a brown heap

Twixt two loving daffodil mates

To weave me tendrils on the Web.

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POEM :

Poetry (from the Greek "ποίησις", poiesis, a "making") is a form of literary art in which language is used for its aesthetic and evocative qualities in addition to, or in lieu of, its apparent meaning. Poetry may be written independently, as discrete poems, or may occur in conjunction with other arts, as in poetic drama, hymns, lyrics, or prose poetry. Poetry is published in dedicated magazines (the longest established being Poetry and Oxford Poetry), e-zines, individual collections and wider anthologies, although it is rare to see anything other than lyric poetry outside of collections. Poetry, and discussions of it, have a long history. Early attempts to define poetry, such as Aristotle's Poetics, focused on the uses of speech in rhetoric, drama, song, and comedy.[1] Later attempts concentrated on features such as repetition, verse form and rhyme, and emphasized the aesthetics which distinguish poetry from prose.[2] From the mid-20th century, poetry has sometimes been more loosely defined as a fundamental creative act using language.[3] Digital poetry is a modern form. Poetry often uses particular forms and conventions to suggest alternative meanings in the words, or to evoke emotional or sensual responses. Devices such as assonance, alliteration, onomatopoeia, and rhythm are sometimes used to achieve musical or incantatory effects. The use of ambiguity, symbolism, irony, and other stylistic elements of poetic diction often leaves a poem open to multiple interpretations. Similarly, metaphor, simile, and metonymy[4] create a resonance between otherwise disparate images—a layering of meanings, forming connections previously not perceived. Kindred forms of resonance may exist, between individual verses, in their patterns of rhyme or rhythm. Some forms of poetry are specific to particular cultures and genres, responding to the characteristics of the language in which the poet writes. While readers accustomed to identifying poetry with Dante, Goethe, Mickiewicz and Rumi may think of it as being written in rhyming lines and regular meter, there are traditions, such as Biblical poetry, that use other approaches to achieve rhythm and euphony. Much of modern British and American poetry is to some extent a critique of poetic tradition,[5] playing with and testing (among other things) the principle of euphony itself, to the extent that sometimes it deliberately does not rhyme or keep to set rhythms at all.[6][7][8] In today's globalized world poets often borrow styles, techniques and forms from diverse cultures and languages. Great poems differ from others exactly because of these, since their words invoke thoughts and powerful feelings in the listener or reader. Some poets, like the Hungarian József Attila, wrote exceptional poems with words combined in sentences that achieve meaning greater than the sum of the meanings of the words. Some of these became sayings in the everyday language. Across time and cultures the meanings of the words change, and make it difficult to enjoy the original beauty and power of poems.

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Sunday, September 27, 2009

THE PUMPKIN SAPLING

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Sunday, September 27, 2009

THE PUMPKIN SAPLING

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